Alex Buchanan

Spirit of Place presents the work of Alex Buchanan, Sunny Chapman, R. A. Friedman, Kathleen Moroney, Chris Page, and Mindy Veissid, artists who gently evoke a personal sense of the emotional history contained within a landscape or natural phenomenon. Their respective art works tell us more about the psychic energy and mood of a place than provide a description of an iconic or recognizable locale. The selected artworks provide the viewer insights into how the depicted place or view of nature makes the artist feel just as much as it tells us what it looks like to them. These artistic artifacts reveal facets of the artist's interior life and also carry something of the collective unconscious.

Alex Buchanan


Alex Buchanan

Alex Buchanan (born in Boston, Massachusetts) studied sculpture, printmaking and photography at the School of the Museum of Fine Arts at Tufts University. Alex also served four years active duty and began his journeys at sea in the U.S. Coast Guard. He focuses on the cultural relevance in his maritime influences and conveys them intriguingly by layering inclusive translations of coastal humanities in semiotic form, and tackles environmental subjects through humor and poignant metaphors. He exhibits work regularly and was a 2020 SMFA at Tufts Traveling Fellow recipient. Alex lives in New Bedford with his wife and daughter.

Artist Statement

Serving as an amplification of industry tradition and environmental impact, Alex’s sculptural fiber work pays ethnographic tribute to past and present cultures by expanding from the industrious nature itself to include impacted societies. Plunging into these environments recognizes that tasks of utilitarian purpose can fail to acknowledge aesthetics and beauty around the radius of their enterprise. Traditionally an ode to conquest and adventure, the visual representations of seagoers can be imbalanced to favor self-touting stories over emotion, heritage, and ethnography. Alex’s focus on this particular void in maritime cultural preservation shifts certain viewpoints, highlighting aspects of nautical culture, community and creativity in forms ranging from a single strand of hair, to rusted steel cable and all the imaginable in between. Alex achieves this by not only recognizing specific patterns for objective composition, but by the way he curates the types of materials that work within those patterns, providing visual depth that carries on the histories and stories in which it was originally used for, but ending up with a delicate texture that challenges its rugged lifecycle.

Cultural preservation is not the only focus though. The sustainability of Alex's material, which is primarily retired ship's rope, ironically highlights an unsustainable practice through the sheer quantity of synthetic materials that becomes fragmented, littering our oceans and marine ecosystems. Orchestrating subtle textures and curvature in sculptural form, Alex suspends the materials current state and focuses on the stories held within the industrious fiber patinas stating, this is only the beginning of the rope’s life, not the end. Every segment is unique and treated as a scarce commodity, like a thumbprint from the sea. Each sculpture carries with it a historical value as well as artistic. Some materials were used in duties such as assisting in the turning of the U.S.S. Constitution in Boston Harbor, while other inferior constructs gain their value as they become rarer due to the innovation of synthetic industrial textiles.
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Alex Buchanan
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